Rewrite the comp-led build around the phase gates; reviewer reads the diff first

new-work.md section 6 becomes the spec / plates / hero / sections / motion /
responsive phase list, each closed by build-phase.mjs advance; the
reproduction and hero-checkpoint prose that asked the model to compare
from memory is gone. visualize.md's inventory, medium gate, and produce
sections collapse into the spec and plate mechanism. The finish reviewer
takes the state file and comp-diff reports as inputs and starts its
fidelity matrix from the measured verdicts. docs/COMP-FIDELITY.md records
the design.

AI-assisted (Claude).

Co-Authored-By: Claude <noreply@anthropic.com>
This commit is contained in:
Paul Bakaus
2026-08-28 06:13:27 +05:00
committed by Abdul Wahab
co-authored by Claude
parent 5856161014
commit 34ef9ac2c4
6 changed files with 117 additions and 36 deletions
+6 -18
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@@ -29,28 +29,16 @@ This approval point has no substitute and no skip condition. When the structured
After approval, record the choice where tools can find it: the approved comp's path goes in the surface brief, and its `.json` prompt sidecar gains `"approved": true` (every comp generated through `generate-image.mjs` has one; create it if a native tool didn't). The sidecar travels with the mocks folder, so the approval survives sessions and machines that never see the brief. Summarize the composition and the parts of the comp that must not be literalized, return to new-work.md, record the direction contract from the approved concept, and build.
## Inventory implementation fidelity
## After approval: the comp becomes a spec
Before building, read the approved comp as a design system and record it in the brief: component grammar, corner language, line weights, elevation treatment, and the type ramp. Everything the comp does not show gets built from this record; without it the fallback is the model's stock kit of square boxes, 1px grids, bento cells, and hard shadows. Then inventory the comp's major visible ingredients in writing (a short table in the surface brief or working notes; the finish reviewer audits shipped assets against it) and choose an implementation medium for each: semantic HTML/CSS/SVG, existing project asset, generated raster, sourced raster, icon library, canvas/WebGL, or accepted omission. The same inventory names the comp's compositional commitments: navigation items and icons, headline levels and their scale relationship, signature geometry such as seams, masks, and overlaps, and each section's arrangement and density. The primary action gets its own row with its own medium: when the comp dissolves, stamps, erodes, or otherwise physically works the main CTA, that treatment is signature material on the page's most important element, and shrinking it to a border trick is the compliance-token version of commitment. An element never written down is the element the build silently drops; the direction contract's 150 words cannot carry this list, so it lives here.
The approved comp is a north star for translation into semantic, responsive, accessible code, never a license to recompose: keeping the palette and mood while redrawing the topology is a second art direction. Do not rasterize core UI text or controls. Do not substitute a different visual driver after approval without asking.
The record is sampled, never estimated: read the comp's page **ground**, each dominant field, and each accent's actual hex from its pixels (ImageMagick, Python with PIL, any pixel-reading tool on the machine) and write the values into the same record. Take a flat field from any interior pixel, a textured or grainy one as the average of an interior patch (crop a swatch, scale it to one pixel), and a gradient as its two end colors; never sample an edge, where antialiasing blends neighbors into colors the design never chose. An adjective is a direction, not a record: cream covers everything from near-white to beige, charcoal a third of the value scale, and wherever no number pins a color, the rendition prior picks the spot. Sampled values supersede the palette chips on the decision and composition cards: those were authored before this comp existed, and a chip that disagrees with the comp's pixels is a draft the approval retired.
What the comp shows is measured, not remembered. new-work.md section 6 runs the build as phases (`build-phase.mjs`): the spec phase turns the comp into region boxes with sampled palettes (`comp-spec.mjs`), and the medium of every region follows from what the pixels are, never from what feels buildable: a figure, a product object, machinery, any illustration with perspective, shading, or drawing skill in it, and any texture by name (woven cloth, paper grain, fabric, leather, brushed metal) is a `plate` / `image` / `texture` region and ships as a raster; text, controls, chrome, diagrams with countable elements, flat shape systems, and anything that must move, scale, or respond are semantic. Writing "CSS" for a sculpted panel's finish, or a many-vertex `clip-path` for a torn edge, is the quiet deletion of the approved design; the detector's organic-clip-path and buried-raster rules and the hero gate's region scores catch it. Dropping an image-native region is a scope decision the user makes at the approval point, never a silent flattening after it. Generated imagery is a material, not a claim: evidence rules bind assertions, specs, testimonials, and photographs presented as real, never render fidelity.
The medium column is where an approved design most often dies, so it obeys a gate: the medium is decided by what the comp region shows, never by what feels buildable in the current stack. A human figure, a product object, machinery, or any material with lighting and depth is raster whatever the stack; so is any texture by name alone: woven cloth, paper grain, fabric, leather, brushed metal need no depth argument, because a CSS gradient is not a texture medium and "layered CSS textures" is not a medium at all. Writing "silhouette" for a photographic figure, or "CSS" for a sculpted panel's finish, is not a medium choice; it is the quiet deletion of the approved design, and it is how a comp full of physical material becomes a flat page with the same section order. Style does not move this boundary: a comp region with perspective, shading, figure drawing, or dense mechanical detail is illustration however line-drawn it looks, and no build session can author illustration as vectors, so it regenerates as raster like any photograph. Authored SVG covers what a session can specify exactly (diagrams with countable elements, controls, flat shape systems) and ends where drawing skill begins; an instruction-manual world keeps its illustrations as line-art illustrations, not diagrams. Produce such regions by regenerating them cleanly, with the approved comp and its embedded prompt as the reference for a fresh render at asset resolution; never crop pixels out of the comp itself, whose effective resolution sits far below asset grade. Dropping an image-native region is a scope decision the user makes at the approval point, never a silent flattening after it. Generated imagery is a material, not a claim: evidence rules bind assertions, specs, testimonials, and photographs presented as real, never render fidelity; "no photography on hand" forbids fake proof, not an illustrated hero.
## Plates and provenance
The gate runs both ways: precise geometry, hard-edged shape systems, diagrams, expressive motion, shaders, and anything interactive are vector and GPU territory (SVG, canvas, WebGL), where a raster flattens what should move, scale, and respond. A field or texture built from many small elements carries a quantity commitment either way: write down its approximate density and coverage ("thousands of glyphs over two-thirds of the fold, dense at the top fading into the path"), because a field rebuilt at a tenth of its density passes every checklist and still is not the design. TYPE rows carry the same discipline: name the face's compression class, and render one headline word against the comp before building on it; a visibly wider or lighter silhouette means the face is wrong, and every section built on it inherits the miss. Raster is for what the world paints; code is for what the world draws, animates, or reacts with, and choosing code there is ambition, not economy. Every `produce` entry is produced before the build ships, through the asset producer or in the current thread; an inventory with unproduced entries is an unfinished build, and this gate is where imagery-free pages come from when it is skipped.
Pay special attention to the dominant composition, signature use, image-native content, second-fold system, and any interaction the still image only implies.
The comp is a north star, not something to trace, and know what that allows: translation into semantic, responsive, accessible code, never recomposition. Keeping the palette and mood while redrawing the topology is a second art direction, not an adaptation. Do not rasterize core UI text or controls. Do not substitute a different visual driver after approval without asking.
## Produce only the assets the build needs
Generation context is part of the asset: a build composed by a thread that never saw the prompts places assets it does not understand. Prefer generating build-critical imagery in the build thread when the budget allows; when a subagent produces assets instead, every asset carries its prompt, and the builder reads those prompts before composing. The carrier is uniform across harnesses: after generating any image with any tool, native or `generate-image.mjs` (which does it automatically), run `node {{scripts_path}}/embed-prompt.mjs <image> --prompt "<prompt>"` with the exact string the generation tool received, pasted whole, so the intent lives inside the file and survives copies between machines and harnesses; a summary reconstructed from memory records an asset that was never made. `--read` recovers the prompt from any impeccable-generated image, and `--scan <dir>` lists every raster in a directory still missing one. The embedded prompt plus the asset's row in the written inventory is the raster's **provenance**, and every raster the artifact references carries it; a sourced, stock, or pre-existing raster with no generation prompt embeds its origin instead.
Provenance is owed for the run, not the build phase: a raster created or replaced later, in a fix batch or a reviewer's rebuild, is produced under this same section, prompt embedded and inventory row added, because the inventory is how the next thread knows what ships. A raster a fix abandons or supersedes is deleted from the assets directory in the same batch; an unreferenced raster with no record is a provenance leak, not a spare.
When the harness runs subagents, spawn the shipped asset producer every time, even when the inventory's produce bucket looks empty: its manifest is the independent second opinion on your media, and the runs that skipped the spawn are the runs whose cotton became CSS. An honestly empty manifest costs one cheap spawn; a wrongly empty produce bucket costs the build its materials. Use `impeccable-asset-producer` (`impeccable_asset_producer` in codex; `/impeccable-asset-producer` in Cursor; on GitHub Copilot say "Use the impeccable-asset-producer agent"): give it the approved comp, output paths, required dimensions and formats, transparency needs, crop notes, and what must remain semantic code. Without subagents, produce the minimum required assets in the current thread by the book: load [degraded/asset-producer.md](degraded/asset-producer.md) and follow it inline, with whatever generation exists.
Every raster region's plate is produced in the plates phase, before any page code, by the shipped asset producer or in the current thread (`generate-image.mjs --plate <id>`, or the harness image tool with the crop as input and the spec's plate prompt). Generation context is part of the asset: after generating any image with any tool, run `node {{scripts_path}}/embed-prompt.mjs <image> --prompt "<prompt>"` with the exact string the tool received (`generate-image.mjs` does this itself), so the intent lives inside the file; `--read` recovers it, `--scan <dir>` lists rasters still missing one. The embedded prompt plus the region's row in the spec is the raster's **provenance**, and every raster the artifact references carries it; a sourced, stock, or pre-existing raster embeds its origin instead. A raster created or replaced later, in a fix batch or a reviewer's rebuild, is produced the same way; a raster a fix abandons is deleted in the same batch.
Convert images with a converter context.mjs reported at boot (the IMAGE_TOOLS line); probe only when it reported none, at most once per session, never per image.
Return to [new-work.md](new-work.md) for the direction contract, implementation, and the finishing pass.
Return to [new-work.md](new-work.md) for the direction contract, the phased build, and the finishing pass.