/* ============================================================
   Screen 07: layout structure.

   Every other structural screen changes something you can see on its own: a
   divider is there or it is not, a corner is round or it is square. This one
   changes proportion, and a proportion is invisible without a ruler. Four
   pages with the columns nudged a few points apart are four identical pages.

   So the ruler is drawn. The measure below is a real twelve-column grid, and
   the three disciplined answers place every block on an exact column count:
   what changes between them is which spans the page spends its columns on.
   Freeform is then the one answer that crosses the lines, and it reads as a
   decision because the thing it is breaking is on screen next to it.

   Two selectors per option, the shape screen 03 established. The first is the
   hover preview and belongs to this screen alone. The second is the committed
   answer and reaches every artboard marked data-carry, which is this screen
   plus boundaries, corners, and depth, so each later question is asked about
   the page as it has been chosen so far. The measure itself does not travel:
   it is an instrument for this question, drawn only where it is asked.
   ============================================================ */

/* ── The measure ─────────────────────────────────────────────
   Twelve columns and eleven gutters inside the page margins, so a column is
   (100% - 11 x 1.6%) / 12. The span variables are the width of n columns
   including the gutters they swallow, which is what a grid track needs and
   what makes an answer legible: --pvs-w7 against --pvs-w5 is a seven-five
   hero, and it is written that way rather than as 57.6667%.

   Percentages resolve against the box they are used in. Every section's
   content box is the page width, so spans hold there; the gallery sits inside
   one editorial track, so its gutter is scaled by that track's share. The
   ladder runs to ten because the widest gallery track is a ten-column one,
   and each answer's gallery gutter is derived from the number here.

   These are the numbers for a page that takes the whole field. Editorial
   takes eleven of the field's twelve columns and re-fits the same ladder to
   its own width, in its own block below. */
[data-carry] {
  --pvs-gut: 1.6%;
  --pvs-w1: 6.8667%;
  --pvs-w2: 15.3333%;
  --pvs-w3: 23.8%;
  --pvs-w4: 32.2667%;
  --pvs-w5: 40.7333%;
  --pvs-w6: 49.2%;
  --pvs-w7: 57.6667%;
  --pvs-w8: 66.1333%;
  --pvs-w9: 74.6%;
  --pvs-w10: 83.0667%;
}

/* The page's own margins are asymmetric under two of the answers, and a
   drawn grid makes it obvious when only some rows honor them. Chrome and the
   editorial band are brought onto the same measure as the hero and the proof
   band. Scoped to the structural artboards: screens 03 and 04 are judging
   color and glyphs, and their page is not under a ruler. */
[data-carry] :is(.ps-nav, .ps-editorial, .ps-footer) {
  padding-right: var(--pvs-gutter-end);
}

/* The proof band divides in four, which on a twelve-column page means each
   claim takes three columns and each divider sits in a gutter. It was four
   equal shares of whatever was left after a fixed 25px gap, which lands a few
   pixels off every column line: close enough to pass unnoticed on a bare
   page, and the one row that looks wrong once the lines are drawn. */
[data-carry] .ps-desktop > .ps-proof {
  grid-template-columns:
    var(--pvs-w3) auto
    var(--pvs-w3) auto
    var(--pvs-w3) auto
    minmax(0, 1fr);
  column-gap: calc(var(--pvs-gut) / 2);
}

/* Eleven hairlines, one down the middle of each gutter, rather than the
   filled columns a grid tool draws. Filled columns cover four fifths of the
   page and turn it into wallpaper at any tint dark enough to see, and the
   gutter is ten pixels wide at this size, so painting it whole gives a stripe
   rather than a line. The centre line carries the same information and
   carries it better: where two blocks are on the grid, the mark lands dead
   centre in the gap between them, and where one is not, it does not.

   Mixed from the artboard's own ink so the field survives a drenched ground,
   and kept under the page so nothing is read through it. */

/* The field is nailed to six and six and carries its own twelve columns
   rather than reading the answer's margins and the ladder above. A measure
   that re-fits itself to whatever page is on it is not a measure: the origin
   and the column width would both follow the answer, and four pages each
   checked against a ruler cut to fit would be four pages checked against
   nothing. The instrument is the same one under all four. What moves is the
   page standing on it, which is the whole of what this screen is asking. */
.picker-preview-layout .ps-desktop {
  position: relative;
  isolation: isolate;
}

.picker-preview-layout .ps-desktop::before {
  --pvs-field-col: 6.8667%;
  --pvs-field-gut: 1.6%;
  --pvs-mark: calc(var(--pvs-field-col) + var(--pvs-field-gut) / 2);

  content: "";
  position: absolute;
  z-index: -1;
  inset: 0 6%;
  background-image: repeating-linear-gradient(
    to right,
    transparent 0 calc(var(--pvs-mark) - 0.5px),
    color-mix(in oklab, var(--pvs-ink) 17%, transparent)
      calc(var(--pvs-mark) - 0.5px) calc(var(--pvs-mark) + 0.5px),
    transparent calc(var(--pvs-mark) + 0.5px)
      calc(var(--pvs-field-col) + var(--pvs-field-gut))
  );
  pointer-events: none;
}

/* The handset has one column, so twelve bands would say nothing there. What
   the answer changes on a phone is the measure itself and whether anything
   is allowed to cross it, so the two content edges are the whole ruler. */
.picker-preview-layout .ps-phone-body {
  position: relative;
  isolation: isolate;
}

.picker-preview-layout .ps-phone-body::before {
  content: "";
  position: absolute;
  z-index: -1;
  top: 0;
  bottom: 0;
  left: var(--pvs-phone-gutter, 6%);
  right: var(--pvs-phone-gutter, 6%);
  border-inline: 1px solid color-mix(in oklab, var(--pvs-ink) 12%, transparent);
  pointer-events: none;
}

/* ── Simple grid ─────────────────────────────────────────────
   Six and six, four cards of two, equal margins, bands of near-equal weight.
   Everything starts and stops on a line, and the thing to notice is that
   there is nothing to notice. */
#picker-form:has(.picker-strategy-option:hover input[name="layout-structure"][value="simple-grid"]) .picker-preview-layout,
:where(#picker-form:not(:has(.picker-strategy-option:hover input[name="layout-structure"])):has(input[name="layout-structure"][value="simple-grid"]:checked)) [data-carry] {
  --pvs-gutter: 6%;
  --pvs-gutter-end: 6%;
  --pvs-hero-cols: var(--pvs-w6) minmax(0, 1fr);
  --pvs-hero-gap: var(--pvs-gut);
  --pvs-editorial-cols: var(--pvs-w4) minmax(0, 1fr);
  --pvs-editorial-gap: var(--pvs-gut);
  /* Four equal cards of two columns need no ratio. The gap is the page
     gutter restated as a share of the eight-column track it sits inside. */
  --pvs-gallery-cols: repeat(4, minmax(0, 1fr));
  --pvs-gallery-gap: calc(var(--pvs-gut) * 100 / 66.1333);
  --pvs-section-align: start;
  --pvs-rows: 9.4% 45.5% 9% 27.8% 8.3%;
  --pvs-phone-gutter: 7%;
  --pvs-phone-gallery-cols: 1fr 1fr;
}

/* ── Balanced ────────────────────────────────────────────────
   The same grid, spent unevenly. The hero leans five-seven and the lead card
   takes three columns where its neighbours take two. Both breaks land on the
   lines: the emphasis is chosen, the discipline is not loosened. */
#picker-form:has(.picker-strategy-option:hover input[name="layout-structure"][value="balanced"]) .picker-preview-layout,
:where(#picker-form:not(:has(.picker-strategy-option:hover input[name="layout-structure"])):has(input[name="layout-structure"][value="balanced"]:checked)) [data-carry] {
  --pvs-gutter: 6%;
  --pvs-gutter-end: 6%;
  --pvs-hero-cols: var(--pvs-w5) minmax(0, 1fr);
  --pvs-hero-gap: var(--pvs-gut);
  --pvs-editorial-cols: var(--pvs-w3) minmax(0, 1fr);
  --pvs-editorial-gap: var(--pvs-gut);
  /* Three columns then three of two. The tracks are fr in the same
     proportion as the spans, because fr cannot take a percentage variable,
     and the gap is the page gutter inside a nine-column track. */
  --pvs-gallery-cols: 23.8fr 15.3333fr 15.3333fr 15.3333fr;
  --pvs-gallery-gap: calc(var(--pvs-gut) * 100 / 74.6);
  --pvs-section-align: center;
  --pvs-rows: 9.4% 50.6% 9% 22.7% 8.3%;
  --pvs-phone-gutter: 6%;
  --pvs-phone-gallery-cols: 1.35fr 0.85fr;
}

/* ── Editorial ───────────────────────────────────────────────
   Uneven margins, a standing text column at seven against a portrait at four,
   a single column of section copy beside a nine-column gallery, and a hero
   band that takes most of the page. Still every edge on a line: this is the
   grid used with nerve, not abandoned. Copy hangs from the top of each band
   the way a column of text hangs from a rule.

   The wide left margin is a whole column of the field rather than a round
   number of its own: the page starts where the second column starts and ends
   where the field ends, so it keeps eleven of the twelve. An answer is
   allowed to spend fewer columns than the page has. It is not allowed to
   spend them at a size the measure does not recognise, which is what a
   margin picked for its look does. */
#picker-form:has(.picker-strategy-option:hover input[name="layout-structure"][value="editorial"]) .picker-preview-layout,
:where(#picker-form:not(:has(.picker-strategy-option:hover input[name="layout-structure"])):has(input[name="layout-structure"][value="editorial"]:checked)) [data-carry] {
  --pvs-gutter: 13.4507%;
  --pvs-gutter-end: 6%;
  /* The ladder above, re-fitted. A column and a gutter are the same number of
     pixels here as under the other three answers and a larger share of a page
     one column narrower, so every span still stops on a drawn line. The
     answer is written the way it was: --pvs-w7 against the rest is still a
     seven, now a seven of eleven. */
  --pvs-gut: 1.748%;
  --pvs-w1: 7.5018%;
  --pvs-w2: 16.7516%;
  --pvs-w3: 26.0015%;
  --pvs-w4: 35.2513%;
  --pvs-w5: 44.5011%;
  --pvs-w6: 53.7509%;
  --pvs-w7: 63.0007%;
  --pvs-w8: 72.2505%;
  --pvs-w9: 81.5004%;
  --pvs-w10: 90.7502%;
  --pvs-hero-cols: var(--pvs-w7) minmax(0, 1fr);
  --pvs-hero-gap: var(--pvs-gut);
  --pvs-editorial-cols: var(--pvs-w2) minmax(0, 1fr);
  --pvs-editorial-gap: var(--pvs-gut);
  /* A lead card at three columns against three of two, in a nine-column
     track. */
  --pvs-gallery-cols: 26.0015fr 16.7516fr 16.7516fr 16.7516fr;
  --pvs-gallery-gap: calc(var(--pvs-gut) * 100 / 81.5004);
  --pvs-section-align: start;
  --pvs-rows: 8% 57.5% 8.5% 18.5% 7.5%;
  --pvs-phone-gutter: 11%;
  --pvs-phone-gallery-cols: 1.9fr 0.7fr;
  --pvs-phone-bleed: -11%;
  --pvs-phone-bleed-w: 122%;
}

/* ── Freeform ────────────────────────────────────────────────
   Columns of no particular relation, and blocks that leave the field. The
   margins are the first thing off it: the page hangs past the measure on the
   left and stops short of it on the right, before a single block has moved.
   The escapes are listed under the drift flag below. */
#picker-form:has(.picker-strategy-option:hover input[name="layout-structure"][value="freeform"]) .picker-preview-layout,
:where(#picker-form:not(:has(.picker-strategy-option:hover input[name="layout-structure"])):has(input[name="layout-structure"][value="freeform"]:checked)) [data-carry] {
  --pvs-gutter: 3.5%;
  --pvs-gutter-end: 9%;
  --pvs-hero-cols: 44% minmax(0, 1fr);
  --pvs-hero-gap: 3%;
  --pvs-editorial-cols: 37% minmax(0, 1fr);
  --pvs-editorial-gap: 2.5%;
  --pvs-gallery-cols: 1.45fr 0.72fr 1.1fr 0.83fr;
  --pvs-gallery-gap: 2.5%;
  --pvs-section-align: end;
  --pvs-rows: 9.4% 48% 8.4% 26.2% 8%;
  --pvs-phone-gutter: 4%;
  --pvs-phone-gallery-cols: 1.5fr 0.9fr;
  --pvs-phone-bleed: 0 -9%;
  --pvs-phone-bleed-w: 109%;
  --pvs-drift: 1;
}

/* ── Leaving the grid ────────────────────────────────────────
   Drift is declared on every artboard and multiplied by a flag only freeform
   raises, so the other three pay nothing for the rules existing.

   Each escape is a transform or a negative margin, never a change of flow: a
   block that steps out does not push the rest of the page around to make room
   for it, which is the difference between a composition and a broken grid.

   The moves are chosen so that nothing lands on top of running text. A bar
   half-covered by a picture is what a mistake looks like; a picture running
   off the edge of the page is what a decision looks like. */

/* The picture takes the right margin and keeps going, clipped by the frame
   the way a full-bleed image is clipped by the browser window. The width has
   to grow with the offset: the picture carries an explicit width, so a
   negative margin alone would slide it rather than stretch it. */
[data-carry] .ps-hero > .ps-image {
  width: calc(100% + var(--pvs-drift, 0) * 16%);
  translate: calc(var(--pvs-drift, 0) * 6%) 0;
}

/* The copy sinks below the picture's top edge, so the two blocks in the hero
   no longer share a line. z-index is raised with the same flag: the actions
   below cross onto the picture and have to sit over it. */
[data-carry] .ps-hero-copy {
  position: relative;
  z-index: var(--pvs-drift, 0);
  translate: 0 calc(var(--pvs-drift, 0) * 12%);
}

/* The one overlap, and the only block allowed one. Two filled controls onto a
   flat picture is a composition that holds anywhere, and it is the one pair
   in the wireframe where the block on top is opaque and the block underneath
   has nothing to read: the same move over a line of copy is what a mistake
   looks like. */
[data-carry] .ps-hero-copy .ps-actions {
  translate: calc(var(--pvs-drift, 0) * 62%) 0;
}

/* Drift is a desktop move. The handset has one column and a stack sized in
   pixels, so a block stepping out of line there has nowhere to go but through
   the bottom of the frame. */
[data-carry] .ps-desktop .ps-gallery-item:nth-child(2n) {
  translate: 0 calc(var(--pvs-drift, 0) * 14%);
}

/* The last card leaves the same way the picture did, so the escape reads as
   one decision about the right edge rather than two unrelated nudges. Both
   axes are named because this card is also an even one, and translate is a
   single property. */
[data-carry] .ps-desktop .ps-gallery-item:last-child {
  margin-right: calc(var(--pvs-drift, 0) * -18%);
  translate: calc(var(--pvs-drift, 0) * 22%) calc(var(--pvs-drift, 0) * 14%);
}

[data-carry] .ps-desktop .ps-editorial-copy {
  translate: 0 calc(var(--pvs-drift, 0) * -12%);
}

/* ── The handset ─────────────────────────────────────────────
   One column still answers the question: in the margin, in how unevenly the
   two cards divide the row, and in whether anything is allowed to cross the
   measure. The picture is the block given that permission, both edges under
   Editorial and the outer edge alone under Freeform. The rhythm between
   blocks is left alone, because the handset's stack is sized in pixels and a
   couple of points of extra gap pushes the card row through the bottom of the
   frame at the narrowest window the picker supports. */
[data-carry] .ps-phone-body {
  padding-inline: var(--pvs-phone-gutter, 6%);
}

/* The picture carries an explicit width, so a negative margin moves it rather
   than widening it. Both are named together or the bleed slides the block
   sideways instead of stretching it past the measure. */
[data-carry] .ps-phone-body > .ps-image {
  margin-inline: var(--pvs-phone-bleed, 0);
  width: var(--pvs-phone-bleed-w, 100%);
}

[data-carry] .ps-phone-body .ps-gallery {
  grid-template-columns: var(--pvs-phone-gallery-cols, 1.05fr 0.95fr);
}