A landscape frame was the silent default at every generation site,
which is a composition error before the build starts for native apps
and mobile-first surfaces. The sketch frame, the asset producer's
single-sketch contract, and the comp instruction now state it: portrait
at device viewport when the surface is a phone screen, landscape for
desktop web. The decision page adapts in kind: portrait art overrides
the 16/10 slot with its own exact ratio so nothing crops, and the deck
narrows so portrait cards line up side by side. The --schema guidance
tells the model the page handles either.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
A codex greenfield build produced an excellent approved comp and then an
abysmal page, and the reviewer approved it. The failure chain: the
implementation inventory downgraded a photographic hero to 'silhouette
in SVG' and sculpted panels to 'material finish: CSS'; the builder read
'no photography on hand' as a license to avoid photographic rendering;
QA looked at one full-page thumbnail; the reviewer was spawned with the
builder's forked history and then scored fix claims instead of pixels;
and the output contract had no way to say 'rejected'.
The fixes, stage by stage:
- The inventory's medium column gets a gate: a human figure, product
object, machinery, or lit material is raster whatever the stack, and
such regions are regenerated cleanly at asset resolution with the
comp and its embedded prompt as reference. Never cropped from the
comp, whose effective resolution is reference grade; the asset
producer's direct bucket closes the same hole. Dropping an
image-native region is a user decision at the approval point.
- Generated imagery is a material, not a claim: evidence rules bind
assertions, never render fidelity.
- The build thread's inspection becomes a region-by-region side-by-side
against the comp at legible scale, never one full-page thumbnail.
- The reviewer spawns fresh, never with forked history (fork_turns: 0
in codex), and gains a rejection lane: when TYPE, MATERIAL, and the
focal element are all contradicted, the first material fix is a
rebuild directive the parent surfaces to the user instead of
patching. Verdict passes score recaptures only; the parent's fix
narration is not evidence.
- The verdict-loop ceiling softens: two rounds ends an unattended run,
but an attended session puts the open-items table in front of the
user and lets them fund another round; any round that resolves
nothing stops the loop.
- Comp approval joins the roll as skip-proof: question-tool errors fall
back to the decision page, delegation is recorded in the brief and
the sidecar and disclosed up front, and the reviewer treats comps
with no recorded pick as a material finding.
- Craft floor: system display faces (Impact, Arial Black) as an
own-world display voice and unicode glyphs standing in for icon
systems are named failures.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The surface brief was the only carrier of which comp got approved, and
eval transcripts show models routinely skip writing it, leaving the
choice unrecoverable. The comp's .json prompt sidecar already travels
with the mocks folder across sessions and machines, so the approval now
gets marked there too.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Two field observations. Greenfield projects with no framework never got
asked what to build on: the interview covered product truth and banned
aesthetic questions, and the model silently picked a scaffold the user
never chose. Init now asks once, static HTML, a named framework, or a
delegated choice plus any deploy constraint, and records the outcome
under a new optional Stack section, including the delegation itself, so
later work knows the choice was offered.
And the medium guidance named raster a dozen times while naming WebGL
once, so models never reached for vector or GPU code unprompted. The
affinity now runs both ways at the decision point: precise geometry,
shape systems, diagrams, expressive motion, shaders, and anything
interactive are vector and GPU territory, where a raster flattens what
should move, scale, and respond. The sketchy-SVG ban states its own
scope: it bans SVG imitating pictures, never SVG doing geometry.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The github and cursor providers previously received only the generated
degraded/ inline fallbacks. Both harnesses support real custom subagents,
so the build now emits them from the same skill/agents/ source:
- GitHub Copilot: .github/agents/impeccable-<role>.agent.md with portable
frontmatter only (name + description; omitting tools grants all tools,
and Copilot has no documented model/effort/max-turns equivalents).
- Cursor: .cursor/agents/impeccable-<role>.md with name, description,
model: inherit, is_background: false, and readonly derived from the
agent's tool list (true only for the finish reviewer, which declares
neither Write nor Edit). effort/max-turns are skipped because Cursor's
effort option requires an explicit model id.
Agent bodies now also resolve {{scripts_path}} and strip rule markers in
the shared agentFormat pipeline, which fixes the previously unresolved
placeholder in the emitted Claude asset-producer agent.
The CLI installer places agents per scope: project installs write
<repo>/.github/agents/ and <repo>/.cursor/agents/; user-level installs
write ~/.copilot/agents/ (Copilot's user dir, not ~/.github/) and
~/.cursor/agents/, overwriting stale impeccable-* copies. Because
Copilot lets user-level agents shadow same-named project ones, a project
install warns when shadowing copies exist; Cursor gives project agents
precedence, so no warning there.
new-work.md and visualize.md extend their harness-naming clauses with
the Cursor and Copilot invocations. The degraded/ fallbacks keep
shipping for surfaces where the model still fails to delegate.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The prompt behind a generated image was recorded three different ways,
a sidecar in the eval harness, nothing in the skill's API tool, nothing
for native tools, so intent survived or vanished depending on where you
ran. One dependency-free script now embeds the prompt inside the image
itself, PNG tEXt or JPEG COM with a sidecar fallback for other formats,
idempotent, and reads it back from any impeccable-generated file. The
API tool embeds automatically; the prose directs every native-tool
generation through it; copies between machines and harnesses keep their
intent. Comps meanwhile are declared the build thread's own work, never
delegated, and the comp-skeleton guidance now asks for the surface's
actual regions instead of prescribing navs onto pages that have none.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Two findings from the first human-validated probe. The comps rendered
as scene vignettes because the generation prompts led with the world's
atmosphere; the model painted the fish market instead of the fish
market's website. The comp guidance now demands the page's literal
skeleton in the prompt, nav and its items, headline block, sections in
order, footer, with a self-check: a render that could hang as a poster
is not a comp. And generation context is part of the asset: the thread
that wrote a prompt knows what the image contains and why, so build-
critical imagery prefers the build thread, and subagent-produced assets
must carry their prompts, via the tool's new sidecar or the manifest,
read by the builder before composing.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
A sandboxed harness rejected view_image on an absolute path to a mock
the model had itself just produced under .impeccable/mocks/, killing
the run. The relative-path rule existed only for downloaded quality-bar
cards; it now covers every image the flow produces or references, in
the comp round and in the asset producer's comparison step.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The decision page compared unlike things: the grounded direction was a
wall of text beside curated catalog art, the catalog art read as a
promise of the build, the weighing silently shrank the challenger set,
and the standing exit hid in the footer under the cards it must not
soften. Every card now shares one anatomy (thesis, palette chips,
material tags, first viewport, case, risk), every dealt challenger is
presented with the weighing written on it rather than applied to it,
the catalog image rides picture-in-picture as labeled inspiration with
the lightbox a click away, and canonCard renders the category standard
as one honest, subordinate card.
When image generation exists, each card declares a sketch slot the page
polls: serve first, generate after, through one shared deliberately
unfinished frame, so the comparison stays about direction instead of
rendering luck. The asset producer takes the batch when subagents
exist; the chosen sketch returns in ANSWER to seed at most one comp
probe, and the comp round still renders its full set.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
A codex run turned an approved comp into a related second art direction
and the finish reviewer passed it: the review anchored on the direction
contract, a lossy abstraction the builder wrote, and every element that
abstraction dropped passed silently. Four changes close that chain. The
reviewer inventories the comp's salient elements before reading the
contract and classifies each one (match, adaptation, missing,
contradicted, added without approval), with adaptations citing the
answer, brief, accessibility need, or product truth that forced them,
and fidelity failures outranking craft in material_fixes. The visualize
inventory gate records compositional commitments alongside asset media,
since the 150-word contract cannot carry them. The north-star allowance
now says what it permits: translation, never recomposition. And the
finish sequence recaptures the same viewports once after the fix batch,
so what the documenter records is what actually shipped.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Harnesses with no subagent capability now run each role inline from the
same single source. The build emits reference/degraded/<role>.md for every
agent in skill/agents/ (role name is the agent name minus the impeccable-
prefix), stripping frontmatter and prepending the inline-substitution
preamble. These pass through the same provider-block compilation and
placeholder replacement as ordinary reference files, so <codex> blocks and
{{placeholders}} resolve per target, and they land in the committed harness
dirs on build:release like every reference file.
Repoint the three capability-first fallback sites in the prose at the
generated files: new-work.md reviewer and documenter fallbacks, and
visualize.md asset-producer fallback.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
From the paired Opus and Codex manual-run analyses. DESIGN.md moves to
the end of the flow and into a shipped documenter subagent that derives
the system from the built artifact: a rulebook written before the build
gets defended against reality, and a half-stable DESIGN.md hands the
design-system detector an unstable target that buries the build in
noise and invites laundering. The finish reviewer gains the handoff
that failed three times live: the parent captures desktop and mobile
screenshots and passes paths, the reviewer never attempts to render
and names missing inputs in one line, the parent verifies the
five-section return and respawns once on empty. Fidelity against the
approved comp joins its checks; the card keeps commitment only. The
comp ingredient inventory becomes a written gate with raster-by-default
materials and no gradient-as-texture, comps persist under
.impeccable/mocks, the degraded seed names the sandboxed-exec cause,
and the finish line is explicit: a clean detector pass is not finished.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The eb686f36 session read the separate-reviewer rule and spawned
nothing: an unnamed "separate agent" is an improvisation prompt, not an
affordance. The skill now ships impeccable-finish-reviewer next to the
asset producer: persistence first, ceiling against the card and comp
second, contract promise by promise, truth; ordered material fixes
back to the parent, no editing, no second detector. new-work names it
so the finish step invokes a thing that exists.
The asset producer was gated providers: codex, so Claude Code never
shipped it; the gate is removed and its two codex-only workflow lines
made provider-neutral with codex blocks.
Dist rebuild still deferred for the running campaign.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
codex.md becomes visualize.md and loads for every harness with any
image generation, native or the API fallback: after the direction
locks, three distinct compositional comps are rendered and put before
the user for approval, in-harness when it can display images,
otherwise on the decision page. Three is the number; one comp invites
rubber-stamping, and this approval round has repeatedly produced the
most compositional and ambitious work, so new-work now marks it
never-skipped. The codex-only subagent stays as a codex note.
The recent rule additions are tightened by a third: the asset and
imagery bullets merge into one, the canon exit loses its restatements,
the DESIGN.md-rule and chosen-card and ceiling clauses each shed their
second clause saying the first clause again. Same laws, fewer words;
prose that grows without bound recreates the attention gravity it was
written to fight.
Dist rebuild still deferred; the release-gate campaign reads the
pinned dist.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Paul BakausandClaude Fable 5